Capture One Pro Trial Reset Como
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From start to finish you should get the best out of your 30-day trial with Capture One. Find guidance here to acquire the insights to be full steam ahead long before the trial ends.
Your 30-Day Capture One Trial
So you decided to download and install Capture One. Your 30-day Capture One trial is running. This trial period is absolutely great to become familiar with the program before you shell out any money. Try before you buy!
However, many of us are busy and easily distracted and before we know the trial period has ended before the fun started. Happens to me all the time.
This post reaches out to any user who starts to get their heads around Capture One Pro. Make your trial period the best you can have!
Tip
During your Capture One trial continue to use your existing workflow and software for your day-to-day job as you did before. Reserve time to experiment Capture One and start with images you have worked on in the past. Once you feel familiar with Capture One you can start planning the migration.
Installation And Start Trial
When you get the free trial from the Webshop or the Phase One website, you get the download links for Windows and macOS in your mailbox, plus the Release Notes.
In the Release Notes you check whether your camera model raw file is supported (99% chance it is), your lenses and tethered support. It is good to check the system requirements as well.
Install the program with the installer onto your computer’s hard drive. Do not attempt to run the program from the installer.
When you start Capture One, choose Pro. If you have a Sony camera and no other camera brands, choose Pro (for Sony). The features are identical but the Sony version is limited in camera support, and much cheaper!
After your confirmation, the 30-day trial starts. You just learned that from a single download you can run Capture One in four different modes. The Pro-mode is the most extensive and offers you a trial period.
If you are interested please read Capture One Modes for more the details.
Background Information
As soon as you start working with Capture One, you learn new terms like Session and Catalog, different types of Variants but also Workspace and Tethering. What do these terms mean?
Sessions And Catalogs
There are two ways to organize images in Capture One Pro, Sessions and Catalogs. Do not let confusion get you of your track. Start your discovery with either a Session or a Catalog, not both at the same time. It is not a one time choice, you are free to go any time.
If you are a Lightroom or Aperture user, you probably are most interested in Catalogs because they are similar to the Lightroom Catalog and Aperture Library. Studio shooters, who often work with the camera connected (tethered), prefer Sessions.
I suggest you take a look at the post Catalogs Explained, which is the first of a serie of four, and continue later on depending on your needs.
In case your curiosity drives you to Sessions, there is a similar serie of posts starting with Sessions Explained to cover your needs.
Tip
With a Session you have the ability to browse your images in the folders on your disk without the need to import them. No organization overhead, just plain and simple.
Variants
In Capture One you can have different variations of a single capture or image file. Capture One treats these variations like distinct images. Therefore Capture One introduces the new term Variant. Each thumbnail in the Browser and each preview in the Viewer is a Variant.
Variants in general, the Primary Variant and the Compare Variant are different examples of the use of the term Variant. Understanding what they mean helps a lot in working with Capture One Pro.
The concept of Variants plays in important role throughout the program and in particular when copying adjustments from one image, ehh Variant, to others.
In the program there is a toggle Edit All Selected Variants and this unique feature is where starters have the most questions about.
You read it all in the post Capture One Variants. Easy to understand, highly recommended.
Workspace
The Workspace is the user interface of Capture One. The Toolbar, Tools, Viewer and Browser together create the Workspace.
However, unlike other programs, the Capture One Workspace is highly customizable. There are built-in Workspaces in the Window menu.
Learning the different parts of your Workspace can significantly help you to become familiar with the program. In Capture One Workspace you learn just that.
Tethering
Also known as tethered shooting, tethering is one of Capture One Pro’s key selling points. It is fast, flexible and includes pro-like features like Live View and Remote Control.
On tethering with Capture One I have a series of posts that start with Capture One Tethering Explained.
But is does not end there. Remote viewing and control via Capture Pilot on your mobile device is another gem of Capture One. You find it fully covered in Using Capture Pilot with Capture One.
Skip it if you shoot to card only, but when shooting over a wire this reading is highly recommended.
Importing Images
I suggest you start working with Capture One Pro on a try-and-learn basis. Make a Catalog or Session on your internal drive, and start importing some existing images.
I wrote a comprehensive post named Importing Images Into Capture One. I am sure that once you covered that you will make no mistakes.
When you work with a Catalog it is important that you leave the existing images in their Current Location as it is called in the import dialog assuming that you work on images that are already on your disk.
With a Session you I suggest you just browse to the folder with images on your disk or import to the Capture folder of the Session.
And when you import new images from a memory card, follow the instructions in the post I just mentioned.
Lightroom Library Import
You can import a Lightroom Catalog or Aperture Library into a Capture One Catalog. There is a special import option for that. Image adjustments are estimates, rating and tagging are transferred, as Albums but not Smart Albums.
If you like to try that, export a smaller catalog or library and import it in your trial Catalog. Review the images, their edits, metadata, and collections.
Rating, Tagging And Selecting
After import I always first browse through the thumbnails in the Browser. Those I like most I give a Star Rating. The number keys 1-5 are easy shortcuts. Others prefer Color Tagging, which is possible as well.
You can rate and tag via the Adjustments menu, just below the thumbnail and below the preview in the Viewer and by using keyboard shortcuts.
To exclude other images and look only to the rated or tagged images, use the Filters tool on the Library tool tab.
You can also create User Collections. I discussed that in Catalogs Continued and Sessions Continued.
Adjusting Images
Now that you have selected the best images, you want to adjust them to make them even better. Your most used options for adjusting your images are the tools on the Exposure and the Color tool tab.
The order in which the tools are listed on the tool tabs have a logic behind them. Use them in that order and you automatically go from easy to advanced.
On the Exposure tool tab I recommend the tools Exposure and High Dynamic Range. You main tool on the Color tool tab is White Balance.
Edit With…
Capture One has the capability to export an image and open the result in an external editor (Photoshop and others) while saving the export in the Catalog or Session as well. After changes are saved in the external editor the thumbnail and preview of the image are updated in the catalog to reflect the changes.
Successive changes to the processed images are done with the Open with command. You find both Edit with… and Open with commands by right-clicking on your thumbnail.
More on these commands you find in the Capture One Pro 8.1 Review as this feature was added in that release.
Export Your Images
Initially Capture One Pro could only Process images according to what you define in Process Recipes. A very powerful workflow with all the bells and whistles you can think off.
Over the years, Capture One Pro offered the simpler Export option. It gives the same image quality, almost all options but no Process Recipes and no Batch Queue. And what a coincidence: Lightroom uses Export as well!
Please go for the File menu > Export Images > Variants European handball game sense volleyball club. option. For an overall view on the Export feature please refer tom post Capture One Export.
Local Adjustments With Layers
Capture One has extensive capabilities for local adjustments via Layers with Masks. Almost all relevant tools work on Layers. There are several Mask and Brush options.
If you are familiar with local adjustments in another raw workflow product, you like to use it in Capture One as well. I advice you to read Capture One Layers Explained to get started.
Other Resources
There are a few great posts at the Phase One blog site that can help too.
Do you know some more? Please let me know, thank you!
Buying And Activating
Was this helpful and would you like to support Image Alchemist? Consider buying your license in the Webshop.
Once you have a license key for Capture One Pro, you need to activate your installed copy with the key. You find a clear description of this rather straightforward process in Activating Capture One Pro.
If you still have any question, do not hesitate to contact us. We are here to help you to become a true CaptureOnist.
Migration Scenarios
If you were running a similar product as Capture One like Lightroom or Aperture, you are interested in how to get from A to B. There are three potential migration scenarios I can think off:
- totally move over from Lr to CO first before you continue now or in the long run (see next scenario)
- keep Lr with your current images as is, start with CO for new images (you can always decide later to import old images from your Lr libraries if you please, see previous scenario)
- work out a coexistence scenario of Lr and CO were you keep using both for old and new images all your future steps depend on the migration scenario
I think it takes time to fully work out what works best for you.
Thank You
for reading. Please feel free to leave a comment. Like us on Facebook or subscribe to stay informed about new blogs.
Best Regards,
Image Alchemist
The green in fluorescent light, the red of the sunset at the beach, or the colored light at your big birthday party last year can spoil the fun when the images are ready.
Back to Levels & Curve
In this third blog post on Levels & Curves I am going to make advanced color adjustments with both the Levels and Curve Tools by using one or more of the Red, Green, or Blue color channels. I call this kind of use for channel mode.
Note that this feature is only available in Capture One Pro and DB 7, and not in Express 7.
When you are serious about using channel mode, I have a power user tip first: create a workspace with four Levels Tools shown, one for each color channel.
Level your power
Let’s start with Levels in channel mode. You will discover that it is an extremely powerful color editing tool. It allows you to add or remove color. All the markers of the tool are at your disposal.
In the screenshot below I made comments on how to add a color. By using the opposite marker you remove color.
If you want to read more about how Curves and Levels Tools work and the distinction between input and output Levels, click here.
The markers at the left (top & bottom) affect the dark tones in your image, the ones at the right affect the highlights and the marker in the middle affects the mid tones. This way you can easily adjust a color based on its brightness!
Sunset Boulevard
For demonstration I use a sunset image with the obvious reddish/purple cast and low contrast. Thanks to a low camera position I get the maximum reflection of the sky in the water and in the wet sand.
I like the sky but the foreground is too colored (purple). I also need to improve the tonal scale with black and white point. I need to take the purple color out but in the dark tones only. That is exactly what I am going to do with the Levels Tool’s Red and Blue channels.
I raise the dark tone marker at the bottom left to remove the color in both the Red and Blue channel. This removes the purple cast in the shadow.
This is basically the same as setting a black point in the RGB mode of your Levels Tool as I discussed in an earlier blog post. You remove the gray cast to make it black.
Next, I like to weaken the overall red cast with the mid tone marker (move it to the right) of the Red channel. This is the result:
Now I have the right color at the right places in my image and I have emphasized the romantic mood.
Capture One Pro Free Trial
Ease your Levels, enter the Curve
Right, you thought we were done now? Not completely. The Levels red mid tone slider did a nice job, but if you read my previous post on Curves you know that the Curve Tool can do a better job. The warm tones of the sunset can create more of an impact if there are parts that do NOT have that color to increase color contrast.
Also, the general contrast needs a boost too. I use the Curve Tool for both, one curve in the general RGB tab, one curve in the Red tab. Note that I first placed the mid tone marker of the Red channel in the neutral position because the Curve is taking care of that now.
This is the end result I like most:
And here are my Curve settings:
Tips
Two final tips to wrap up this blog post: tool reset and workspace.
1) Reset all Levels or Curve Tool modes
You know the tool reset: the curved arrow icon at the top. It will reset only the adjustments on the selected tab (channel or RGB mode). To reset ALL adjustments of the tool (all tabs: RGB, R, G, and B) at once use Cmd+click (Mac) or Ctrl+click (Windows) with the reset icon.
2) Workspace
To work with all channels in Levels and Curve, you might want to see them all at the same time. Create multiple Levels or Curve Tools as floating tools or create a tool tab for them. Set each to each channel. Save your workspace for future use.
I hope you enjoyed it and will get more out of your images with the Capture One Pro 7 tools Levels and Curve!
Best regards,
Paul Steunebrink